Ghost LE A streamlined version of Soundcraft's popular and highly-praised Ghost, the Ghost LE 32 makes an excellent choice for anyone looking for a world-class analog mixer, but does not need the original's "extras" like mute automation, remote transport control, MIDI interfacing, onboard computer and corresponding digital readout. The Ghost LE 32 is a 32 channel version of the popular 8 bus recording console, with the same layout and facilities as the normal Ghost on all the mono input channels with the same powerful four band EQ with two fully parametric midranges, eight aux sends and the master section in the middle. The master section includes the bus levels, monitoring options and built in talkback mic.
Price: $7,447.02
The Crown® Macro-Tech® i Series continues the Macro-Tech legacy of unparalleled sonic accuracy and detail, putting sound quality above all else. Patented, cutting-edge Class-I circuitry gets more power out of an amplifier with less waste. Rugged constuction ensures that all Macro-Techs are built to withstand years of abuse on the road. Global Power Supply - designed to deliver maximum power no matter what country you work in. Built in load, line voltage, input and output monitoring. Standard Ethernet networking via System Architect®lets system operators monitor and control the amplifier for any location.
Price: $6,855.00
Ghost LE A streamlined version of Soundcraft's popular and highly-praised Ghost, the Ghost LE 24 makes an excellent choice for anyone looking for a world-class analog mixer, but does not need the original's "extras" like mute automation, remote transport control, MIDI interfacing, onboard computer and corresponding digital readout. The Ghost LE 24 is a 24 channel version of the popular 8 bus recording console, with the same layout and facilities as the normal Ghost on all the mono input channels with the same powerful four band EQ with two fully parametric midranges, eight aux sends and the master section in the middle. The master section includes the bus levels, monitoring options and built in talkback mic.
Price: $6,565.02
GB SERIES JOINS NEW-LOOK PROFESSIONAL RANGE The GB Series also shares the stylish looks of the MH4, MH3 and LX7ii consoles, continuing a strong family look and feel across the range. The GB4 is designed for installations such as churches and performance venues, or for small touring sound systems. The dual-mode topology implemented to such success on the MH3 and MH4 desks allows the GB4 to be used on FOH or monitor duties, with fader control of group or aux outputs. Although largely conventional in layout, the GB4 does have some unique mechanical features. The rugged steel chassis has a sloping rear connector panel so that it is easier to configure from the front of the desk, while the integral power supply has a link option for an external back-up PSU. Four mute groups allow several channels to be muted simultaneously, while another unique facility is the limiter on a set of dedicated record outputs that makes it easier to create a stereo recording of the mix. The console also features an output matrix with seven feeds to four outputs, being fed from the group busses and main L, R and C (mono) outputs.
Price: $5,585.02
The Tascam DM-4800 is the ultimate digital console for professional users who demand a flexible, 64-channel mix platform that configures to fit their needs. A fat channel strip in the center of the board provides instant access to 4-band parametric EQ, dynamics and aux controls available for the first 48 channels. Twenty-four studio-grade mic preamps provide enough inputs for a live event, and more can be added using expansion cards with external preamps. The standard compliment of analog and digital I/O is more than youll find on consoles costing three times as much, and a completely confi gurable 24-buss routing system allows you to re-patch the board at the flick of a switch. Tascams DM-4800 fits seamlessly into the modern recording environment based around a computer DAW. With a single button press, the Remote layer provides a 24-fader control surface for control of premiere workstations such as Pro Tools, Logic, SONAR, DP, Cubase and Nuendo. The optional IF-FW/DM mkII interface card provides 32 channels to and from a computer at up to 96kHz over a single FireWire cable. And the optional surround monitoring card provides downmixing, bass management and level control for mixing in up to 6.1 surround. No matter what your application, the Tascam DM-4800 adapts to the needs of any professional audio installation. Features: 48 channels and 16 returns for 64 total inputs 24 busses 12 Aux Sends 24 mic/line inputs with analog inserts plus phantom power for condenser mics 24 channels of TDIF and 8 channels of ADAT built in 4 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog, TDIF and Surround Monitoring cards Dedicated cascade port supports cascade of two DM-4800s Channel Strip section for EQ, Dynamics and Aux control of selected channel Per channel LED ring encoders for pan, aux sends and EQ Built-in DAW control layer compatible with Pro Tools®, Logic Pro™, SONAR™, Cubase™, Nuendo™, and Digital Performer™ Transport buttons control DAW software, RS-422 devices or MMC devices Powerful automation with touch-sensitive motorized faders 4-band EQ, compression and gating on each channel Compression for each aux, buss and main output Two built-in effects processors, each able to run TC Reverb programs Flexible routing allows any input to be routed to any channel or output Offload data to convenient Compact Flash media using built-in CF slot Optional MU-1000 meter bridge (as shown) Maximum overall dimensions (w x d x h) including rest: 36.75" x 32.4" x 9.1" (933mm x 824mm x 230mm) Weight: 71lbs (35kg)
Price: $5,389.99
The Crown® Macro-Tech® i Series continues the Macro-Tech legacy of unparalleled sonic accuracy and detail, putting sound quality above all else. Patented, cutting-edge Class-I circuitry gets more power out of an amplifier with less waste. Rugged constuction ensures that all Macro-Techs are built to withstand years of abuse on the road. Global Power Supply - designed to deliver maximum power no matter what country you work in. Built in load, line voltage, input and output monitoring. Standard Ethernet networking via System Architect®lets system operators monitor and control the amplifier for any location.
Price: $5,200.00
Tascams new X-48 is the worlds first standalone 48-track Hybrid Hard Disk Workstation. Co-Developed with SaneWave, it integrates the best of both worlds: the stability and ease-of-use of a purpose-built hard disk recorder, with the GUI, editing features and plug-in compatibility of a computer-based digital audio workstation. It boasts up to 96kHz/24-bit recording across all 48 tracks. Its file compatibility and synchronization surpass even the TEC Award-winning MX-2424, with native Broadcast WAVE audio file support and AAF export for compatibility with workstations like Pro Tools®, Nuendo and Logic. Support for FireWire hard drives and Gigabit Ethernet allows simple transfer between systems, making it the ultimate multitrack solution for high-quality music, post and live recording applications. Yet the X-48 goes beyond mere standalone recorders -- its built-in, automated 48-channel digital mixer, VGA display output, powerful editing functions and DVD+RW backup drive transform it into a complete integrated workstation. Multitrack Recording Features: 48-track digital recording at up to 96kHz/24-bit 32-bit floating point audio file recording and playback with no loss of track count Advanced integrated synchronization and machine control, including HDTV tri-level sync Time-stamped Broadcast WAVE file format Front-panel transport, track arming, project management and metering functions Built-in 80GB hard drive Built-in DVD+RW for backup, transfer and restore Workstation/Mixing Features: ±12.5% varispeed Grid-style editing Turn-key operation: no software conflicts to troubleshoot Graphic user interface for editing, mixing, plug-ins and meters 48-channel mixing 32-bit floating point mixer resolution 6 stereo returns (60 total inputs at mixdown) 12 stereo groups, 6 aux sends, stereo master buss Full dynamic automation Dynamics, 4-band parametric EQ and 4 VST plug-in inserts per channel
Price: $4,899.99
The C 12 VR is an exact replica of the original C 12, from the cap-sule sound to the original 6072A vacuum tube. The only difference is that its self noise and some components were optimized to meet the current state of the art. No less than nine remotely selectable polar patterns, the legendary large-diaphragm capsule, and an original 6072A vacuum tube provide a sound that is simply beyond words. Features: Classic 1-inch condenser tube performance of the original AKG C 12 Dual diaphragm, 1" diameter gold sputtered mylar foil Multiple patterns remotely controlled with silent switching Polar patterns: omnidirectional, cardioid, and figure-8, with 6 intermediate patterns (silent switching) Uses the original 6072 vacuum tube Uses the original 1950's dual diaphragm design for sound that has the same warmth, clarity and presence of the original Internal microphone switching for pre-attenuation of -10, -20 dB and boost of +10 dB to accommodate all studio requirements. External (in control unit) two-position bass cut/roll-off Frequency response 30 Hz - 20 kHz (±2.5 dB from published curves) Impedance: 200 ohms (±25%) Recommended load impedance: 1000 ohms or greater Output connector (from control unit): XLR (pin 2 positive) Output connector (from microphone): Tuchel 12-pin Sensitivity at 1 kHz: 10 mV/Pa for all patterns; -40 dB (dB re 1 V/Pa) Equivalent noise level (A-weighted): 22 dB (DIN 45412) Sound pressure level for 3% THD: 128 dB (equivalent to 50 Pa) Pre-attenuation: -10 and -20 dB (at microphone) Sensitivity increase: 10 dB (at microphone) Low frequency roll-off/bass cut: two-position (at control unit) Power requirement: 115/230 Vac Microphone
Price: $4,899.02
GB SERIES JOINS NEW-LOOK PROFESSIONAL RANGE The GB Series also shares the stylish looks of the MH4, MH3 and LX7ii consoles, continuing a strong family look and feel across the range. The GB4 is designed for installations such as churches and performance venues, or for small touring sound systems. The dual-mode topology implemented to such success on the MH3 and MH4 desks allows the GB4 to be used on FOH or monitor duties, with fader control of group or aux outputs. Although largely conventional in layout, the GB4 does have some unique mechanical features. The rugged steel chassis has a sloping rear connector panel so that it is easier to configure from the front of the desk, while the integral power supply has a link option for an external back-up PSU. Four mute groups allow several channels to be muted simultaneously, while another unique facility is the limiter on a set of dedicated record outputs that makes it easier to create a stereo recording of the mix. The console also features an output matrix with seven feeds to four outputs, being fed from the group busses and main L, R and C (mono) outputs.
Price: $4,409.02
The Crown® Macro-Tech® i Series continues the Macro-Tech legacy of unparalleled sonic accuracy and detail, putting sound quality above all else. Patented, cutting-edge Class-I circuitry gets more power out of an amplifier with less waste. Rugged constuction ensures that all Macro-Techs are built to withstand years of abuse on the road. Global Power Supply - designed to deliver maximum power no matter what country you work in. Built in load, line voltage, input and output monitoring. Standard Ethernet networking via System Architect®lets system operators monitor and control the amplifier for any location.
Price: $4,255.00
4800 Designed to provide incredible flexibility, sonic excellence and intuitive control for performance applications, the DriveRack® 4800 is the new flagship of the hugely successful DriveRack family. From the powerful 96 kHz DSP engine and standard analog and digital I/O, to the QVGA display and multiple control surfaces, the 4800 provides all the processing, flexibility and control necessary for both installation and live use. The Wizard function enhances its capability by making the DriveRack 4800 easier to use providing a menu based setup procedure including system configuration and an Advanced Feedback Suppression (AFS) Wizard. Features: 48 and 96 kHz operation with Wordclock input Full Color QVGA Display 4 analog and AES/EBU inputs 8 analog and AES/EBU outputs Optional CobraNet I/O Optional Jensen® I/O Transformers Full Bandpass Filter, Crossover and Routing Configurations with Bessel, Butterworth, and Linkwitz-Riley filters 31-Band Graphic and 9-band Parametric EQ on every input 6-band Parametric EQ on every output Loudspeaker Cluster and Driver Alignment Delays Selectable DSP inserts on all inputs and outputs including Classic dbx Compression, Limiting and Advanced Feedback Suppression among others Ethernet HiQnet networking and control dbx ZC wall panel control
Price: $3,999.95
GB SERIES JOINS NEW-LOOK PROFESSIONAL RANGE The GB Series also shares the stylish looks of the MH4, MH3 and LX7ii consoles, continuing a strong family look and feel across the range. The GB4 is designed for installations such as churches and performance venues, or for small touring sound systems. The dual-mode topology implemented to such success on the MH3 and MH4 desks allows the GB4 to be used on FOH or monitor duties, with fader control of group or aux outputs. Although largely conventional in layout, the GB4 does have some unique mechanical features. The rugged steel chassis has a sloping rear connector panel so that it is easier to configure from the front of the desk, while the integral power supply has a link option for an external back-up PSU. Four mute groups allow several channels to be muted simultaneously, while another unique facility is the limiter on a set of dedicated record outputs that makes it easier to create a stereo recording of the mix. The console also features an output matrix with seven feeds to four outputs, being fed from the group busses and main L, R and C (mono) outputs.
Price: $3,527.02
dbx 160SL Stereo Compressor/Limiter Description: Since its inception the 160S has become the mark for which other compressors reach. As the leader in VCA and compressor design and engineering, we at dbx are always seeking to improve our products and give you the best possible compression solutions. With the newly improved 160SL, we introduce the patent-pending AutoVelocity technology. With AutoVelocity it is now easier than ever to dial up the exact attack and release effect you are looking for, via the program-dependent, or non program dependent manual mode. Still on board is the venerable dbx Auto mode. Now you can set your maximum preferred settings in manual mode, and let the 160SL do the rest for you, depending on your program material. The same striking blue front panel machined from 1/4" aircraft aluminum, handcrafted solid aluminum knobs, LEDs mounted individually in machined stainless steel housings, custom VU meters with peak indicators, and heavy gauge chassis still mark the 160SL as the leader for decades to come. The 160SL combines the best features of all the great dbx compressors, past and present, and gives you more versatile performance than ever before. In addition to having the auto attack and release as well as the hard knee threshold characteristics of the classic dbx 160, the 160SL now offers AutoVelocity manual mode, in addition to our classic OverEasy® mode, made standard by the classic dbx 165A. And speaking of the 165A, all of its features, including variable attack and release controls, as well as dbx's latest limiting algorithm PeakStopPlus, are included in the 160SL. The heart of any dynamics processor is its VCA. The dbx 160SL is no different. It features dual proprietary V8 VCA modules. This state-of-the-art implementation of dbx's original Blackmer decilinear VCA boasts an unheard-of 127dB dynamic range and ultra-low distortion. Encased in a specially designed aluminum-zinc housing for shielding and thermal characteristics, the V8 maintains its superior performance in harsh environments. The new 160S takes full advantage of the most technologically superior components available today. Premium active electronics, precision 0.1% and 1% metal film resistors, great sounding temperature stable polypropylene capacitors, high-reliability board-to-board connectors with gold-palladium-nickel contacts, Jensen® transformers, gold plated Neutrik® XLRs, rare earth magnet relays with gold contacts in a hermetically sealed nitrogen environment, military grade glass epoxy circuit boards, to mention a few, contribute to the most technologically advanced compressor in the world. Features: Patent-pending AutoVelocity circuit 127dB of Dynamic Range High-Drive output transformer circuit drives 1000 ft. of Belden® cable at +30dBu with only .007% THD Switchable between Hard-knee and OverEasy® Compression Program-dependent "Auto," AutoVelocity or fully variable attack ad release manual modes
Price: $3,399.95
The new Tascam DM-3200 has more of everything that made the DM-24 a pedigreed studio workhorse. Plus an improved physical interface with per-channel multi-function LED ring encoders, more comprehensive DAW control, vastly improved routing flexibility, easier and robust data backup/ restore, greatly expanded mix storage using compact flash media and much more. The DM-3200 features 32 full-featured channels and 16 returns for a total of 48 channels at mixdown even at its full 96kHz / 24-bit audio resolution. It has 4-band fully-parametric EQ and dynamics on every channel and two effects processors, each capable of running the built-in TC Works Reverb processor. Surround mixing is available with up to 6.1-channel panning, and the optional IF-SM/DM expansion card adds surround monitoring and down mixing to the DM-3200. The DM-3200 provides a new way to record with DAW recording software. With the addition of an optional expansion card, the IF-FW/DM Fire Wire interface, the DM-3200 becomes a 24-channel computer audio interface, making it a complete studio solution for professional DAW recording. Built-in HUI and Mackie Control emulation allows the console to function as a flexible control surface for workstation software. This gives you the best of both worlds total control over your recording software transport and mixing capabilities with the cue mixing, talkback, microphone preamps and world-class automation provided by the DM-3200. Features: 32 channels and 16 auxiliary returns for 48 total inputs 16 busses configurable as two 6.1 surround sends 8 Aux Sends 16 analog mic/line inputs with phantom power for condenser mics, analog inserts and -20dB pad switch 24 channels of TDIF and 8 channels of ADAT built in 2 expansion card slots support optional Fire Wire, ADAT, AES/EBU, Analog & TDIF cards Dedicated cascade port supports cascade of two DM-3200s Per channel LED ring encoders for pan, aux sends and EQ Built-in DAW control All inputs, effects and processing are available at 96k -- no features are sacrificed at full sampling rate Transport controls control DAW, HDR or tape playback Dedicated DAW control surface layer for Digidesign Pro Tools®, Cakewalk SONAR®, MOTU DP, Apple Logic, Steinberg Cubase® and Nuendo® Powerful automation with touch-sensitive motorized faders 4-band parametric EQ and dynamics on each channel 32-bit internal resolution with 64-bit EQ resolution Two built-in effects processors include TC Works reverb processing Flexible routing route from virtually any input to any output Back up mix data to convenient Compact Flash media slot or to USB Optional MU-1000 meter bridge Stylish, professional design with rear panel I/O connections Tascam Mixer Companion software (Win XP/OSX) with: Driverless USB connection to computer, Backup/restore data via USB, and On screen time code, transport and meter displays Dimensions: 27.6W x 9.1 H x 32.9 D 52.8lbs
Price: $3,233.99
With two independent True Diversity receivers in a single full-rack housing, the AEW-5244 from the 5000 Series conserves rack space while providing outstandingly reliable and flexible performance. Two hundred selectable channels are offered in each of two available UHF bands. Receivers may be linked to form a complete system in which the built-in IntelliScan capability automatically determines and sets the best available frequencies on all linked receivers. Equipped with Ethernet ports, the 5000 Series receiver allows computer management and control (software included). Two independent synthesized UHF receiver channels in a full-rack 1U case. Its common power supply operates on 100 240V 50/60 Hz AC power worldwide with the appropriate IEC-type power input cordset. In addition, a pass-through AC outlet on each receiver with included AC jumper cable permits daisy-chaining of an entire AEW-R5200 receiver stack, freeing AC outlets for other equipment. AEW-5244 Artist Elite Dual Receiver Cardioid Dynamic Mic System Specifications: AEW-R5200 dual receiver Receiving System: Dual independent RF sections, automatic-switching diversity Image Rejection: 60 dB typical Signal-to-noise Ratio: 115 dB at 40 kHz deviation (IEC-weighted, 75 kHz maximum modulation) Total Harmonic Distortion: 1% (10 kHz deviation at 1 kHz) Sensitivity: 20 dBuV (S/N 70 dB at 5 kHz deviation, IEC-weighted) Intermediate Frequency: 65.75 MHz, 10.7 MHz Audio Output (ATTN switch at "0"): Microphone 25 mV (at 1 kHz, ñ5 kHz deviation, 10k ohm load); Instrument 50 mV (at 1 kHz, ñ5 kHz deviation, 10k ohm load) Both outputs are transformer isolated and balanced Audio Output Attenuator (ATTN) Three-position switch: 0/-6/-12 dB Output Connectors: Microphone XLRM-type; Instrument 1/4" (6.3 mm) TRS balanced phone jack Headphone Output: Connector 1/4" (6.3 mm) TRS ("stereo") phone jack Power Output: 10 mW + 10 mW at 1 kHz, ñ5 kHz deviation into 32 ohms; maximum output, 220 mW + 220 mW into 32 ohms. Headphones switchable between Channel 1 and Channel 2 External Mute: 1/4" (6.3 mm) TS unbalanced phone jack, each channel Antenna Terminal Voltage: DC 10V-12V, 20 mA (BNC-type jack) Computer Interface: Type Ethernet, 10 BaseT mode; Connector RJ-45; Proprietary Software Supplied on CD-ROM Power Supply: 100 240V AC 50/60 Hz, 15W Pass-through AC Power Outlet: 100 240V AC 50/60 Hz, 5A maximum Dimensions: 18.98" (482.0 mm) W x 1.74" (44.0 mm) H x 10.85" (275.5 mm) D Net Weight (without accessories): 8.8 lbs. (4.0 kg) Accessories Included: Detachable IEC-type AC power cable; two flexible UHF half-wave antennas; link cable, IEC-type AC pass-through cable; front-mount antenna cables and connectors; CD-ROM with computer control interface software; AEW-TB44 transmitter bag AEW-T4100 cardioid dynamic microphone/transmitter RF power output: High: 35 mW; Low: 10 mW, nominal Spurious Emissions: Under federal regulations Dynamic Range: >=110 dB, A-weighted Microphone Element: Cardioid Dynamic Batteries: Two 1.5V AA alkaline (not included) Current consumption: High: 185 mA; Low: 165 mA, typical Battery life: Approximately 6 hours (High); 8 hours (Low), depending on battery type and use pattern Dimensions: 9.33" (237.0 mm) long, 1.89" (48.0 mm) diameter Net weight: 9.7 oz (276 g) (without batteries) Accessory Included: AT8456a Quiet-Flex stand clamp Audio-Technica AEW-5244 Artist Elite Dual Receiver Cardioid Dynamic Mic System Features: Two independent receiver channels in a single housing 200 selectable UHF channels per band and True Diversity reception for interference-resistant operation Dual Compander circuitry processes high and low frequencies separately for unmatched audio quality Advanced digital Tone Lock squelch effectively blocks stray RF; the digitally encoded tone also communicates transmitter data for receiver display Link and coordinate multiple AEW receivers via included data cable and/or built-in Ethernet computer interface IntelliScan feature automatically finds and sets best available frequencies on all linked receivers On-board Ethernet interface for monitoring and controlling system parameters with included software All transmitters offer rugged, ergonomic metal bodies, programmable features, soft-touch controls and 10 mW/35 mW switchable RF power
Price: $2,809.00
With two independent True Diversity receivers in a single full-rack housing, the AEW-5111 from the 5000 Series conserves rack space while providing outstandingly reliable and flexible performance. Two hundred selectable channels are offered in each of two available UHF bands. Receivers may be linked to form a complete system in which the built-in IntelliScan capability automatically determines and sets the best available frequencies on all linked receivers. Equipped with Ethernet ports, the 5000 Series receiver allows computer management and control (software included). Two independent synthesized UHF receiver channels in a full-rack 1U case. Its common power supply operates on 100 240V 50/60 Hz AC power worldwide with the appropriate IEC-type power input cordset. In addition, a pass-through AC outlet on each receiver with included AC jumper cable permits daisy-chaining of an entire AEW-R5200 receiver stack, freeing AC outlets for other equipment. AEW-5111 Artist Elite Dual Receiver UniPak Wireless System Specifications: AEW-R5200 dual receiver Receiving System: Dual independent RF sections, automatic-switching diversity Image Rejection: 60 dB typical Signal-to-noise Ratio: 115 dB at 40 kHz deviation (IEC-weighted, 75 kHz maximum modulation) Total Harmonic Distortion: 1% (10 kHz deviation at 1 kHz) Sensitivity: 20 dBuV (S/N 70 dB at 5 kHz deviation, IEC-weighted) Intermediate Frequency: 65.75 MHz, 10.7 MHz Audio Output (ATTN switch at "0"): Microphone 25 mV (at 1 kHz, ñ5 kHz deviation, 10k ohm load); Instrument 50 mV (at 1 kHz, ñ5 kHz deviation, 10k ohm load) Both outputs are transformer isolated and balanced Audio Output Attenuator (ATTN) Three-position switch: 0/-6/-12 dB Output Connectors: Microphone XLRM-type; Instrument 1/4" (6.3 mm) TRS balanced phone jack Headphone Output: Connector 1/4" (6.3 mm) TRS ("stereo") phone jack Power Output: 10 mW + 10 mW at 1 kHz, ñ5 kHz deviation into 32 ohms; maximum output, 220 mW + 220 mW into 32 ohms. Headphones switchable between Channel 1 and Channel 2 External Mute: 1/4" (6.3 mm) TS unbalanced phone jack, each channel Antenna Terminal Voltage: DC 10V-12V, 20 mA (BNC-type jack) Computer Interface: Type Ethernet, 10 BaseT mode; Connector RJ-45; Proprietary Software Supplied on CD-ROM Power Supply: 100 240V AC 50/60 Hz, 15W Pass-through AC Power Outlet: 100 240V AC 50/60 Hz, 5A maximum Dimensions: 18.98" (482.0 mm) W x 1.74" (44.0 mm) H x 10.85" (275.5 mm) D Net Weight (without accessories): 8.8 lbs. (4.0 kg) Accessories Included: Detachable IEC-type AC power cable; two flexible UHF half-wave antennas; link cable, IEC-type AC pass-through cable; front-mount antenna cables and connectors; CD-ROM with computer control interface software; AEW-TB44 transmitter bag AEW-T1000 Unipak Transmitter RF Power Output: High 35 mW; Low 10 mW, nominal Spurious Emissions: Under federal regulations Dynamic Range: Microphone 110 dB, A-weighted; Instrument 100 dB, A-weighted Input Connections: High impedance, low impedance, bias Batteries (not included): Two 1.5V AA alkaline Current Consumption High: 185 mA; Low: 165 mA, typical Battery Life: Approximately 8 hours (High); 10 hours (Low), depending on battery type and use pattern Dimensions: 2.60" (66.0 mm) W x 3.43" (87.0 mm) H x 0.94" (24.0 mm) D; not including antenna Net Weight (without batteries): 4.4 oz (125 g) Audio-Technica AEW-5111 Artist Elite Dual Receiver UniPak Wireless System Features: Two independent receiver channels in a single housing 200 selectable UHF channels per band and True Diversity reception for interference-resistant operation Dual Compander circuitry processes high and low frequencies separately for unmatched audio quality Advanced digital Tone Lock squelch effectively blocks stray RF; the digitally encoded tone also communicates transmitter data for receiver display Link and coordinate multiple AEW receivers via included data cable and/or built-in Ethernet computer interface IntelliScan feature automatically finds and sets best available frequencies on all linked receivers On-board Ethernet interface for monitoring and controlling system parameters with included software All transmitters offer rugged, ergonomic metal bodies, programmable features, soft-touch controls and 10 mW/35 mW switchable RF power
Price: $2,709.00
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Wide Band Frequency Response. Excellent String Balance. Feedback Rejection. Outstanding Signal Isolation. Clamp Style. Easy To Attach And Remove. No Holes To Drill Or Tools Required. Includes 3100P Output Jack.
Price: $85.25
Aviom A-16II Personal Mixer FEATURES: Higher gain Line/Headphone audio output True stereo mixing with fully adjustable pan Sixteen channel select buttons with dual LEDs Dedicated Recall, Group, Solo, and Mute buttons New Held Solo mode Sixteen user Preset memory locations Create three Groups per mix Preset Pan/Spread control with LED readout Channel volume control with LED level readout Master Volume, Treble and Bass controls Auto-detect mono/stereo circuitry Compatible with the AVIOM16/o-Y1 Yamaha Output Card
Price: $532.09
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